John Wick was a sleeper hit in 2014, so the team has scrambled to put together a sequel that’s longer, louder and freer of dog violence. If you liked the first one, this offers more of the same, without trying to get clever about it. The fight choreography and stunt work is well worth the price of admission.
Ridley Scott returns to the Alien universe, with a sequel to the 2012 prequel PROMETHEUS. It features good performances from Michael Fassbender and Katherine Waterston, but it doesn’t add anything to the legacy of the early films.
Otherwise known as ‘that Anne Hathaway movie where she discovers she is controlling a giant kaiju with her mind’, Colossal lured us in with its fantastic poster, and gave us plenty to think about with its interesting take on what seemed like a silly premise.
Marvel’s fun space franchise is back. We liked the first one, but not enough to be over-excited about its sequel. Pleasingly, it addresses some of what we thought were weakness in the first movie, with a stronger story and less mean humour. While it isn’t perfect (why so little Rocket and Groot?!), it is good fun and, as with most of Marvel’s output, even an average Marvel flick means a fun night at the movies.
Due to Australia’s interesting (cough racist cough) film distribution system, we didn’t get GET OUT for nearly two months after it became the sleeper hit of 2017. We finally watch it, and see whether it lives up to they hype. See it (at a cinema, seriously, trust us on that) before you listen to this episode.
We generally enjoy The Fast and the Furious movies, and after the emotional high of Furious 7 there was no way were missing the eighth instalment. Unfortunately, the pudding has now been over-egged, and the result is this over-long outing that struggles to recover from the loss of the Dom-Brian dynamic, despite the brilliant supporting cast.
Will Arnett’s Lego Batman was one of the highlights of 2014’s THE LEGO MOVIE, and thanks to a thousand internet memes, now he has a solo spinoff film. Unfortunately, what was a great gag in service of a larger movie, loses something when it has to carry an entire movie. The entire project smacks of a desire to cash in on a phenomenon, and it suffers from the lack of proper story development.
Tale as old as time…song as old as rhyme…you know the rest. For our generation, the 1991 animated Beauty and the Beast is a classic. Not just ‘good for an kids movie’, it was wildly successful at the box office, became the first animated film to be nominated for Best Picture and won Oscars for its score and title song. Now that the kids who watched that film have grown up and have kids of their own to take to the movies, Disney has remade it in a live action version starring Emma Watson, whose singing ability (or lack thereof) has caused some consternation in the lead up to its release. It (among other things) also caused some consternation among your podcast hosts.
The latest instalment of Marvel’s Netflix ‘Defenders’ shows is out, and it’s the most controversial. Since its announcement, Iron Fist has provoked a strong reaction; even more so after it cast a non-Asian lead. Friend of the show Jamie joins us to review it, and we discover that whitewashing is the least of its problems.
The film commemorating the story of Richard and Mildred Loving has finally reached Australia (only three months after its domestic release…). Unfortunately, it doesn’t pay quite the tribute these trailblazers deserve. While the film seems to have an honourable approach to the facts of the case, and the Lovings’ lives, this has the effect of toning down the drama and missing some of the broader importance of the story.